A detail shot of layered cushions and considered materials, representative of the fabric houses Aubury sources from

Material Partners

The makers we source from

A select few

A short list of the fabric houses, furniture makers, and lifestyle brands we return to most often.

Each one earns its place for a particular reason, a weave, a palette, a heritage. The wider network sits behind every scheme and is introduced at the foot of the page.

Category One

Fabrics & Wallpapers

The houses whose collections carry the colour, pattern, and texture through every Aubury scheme.

Detail of an upholstered chair in multi-coloured chevron and aztec velvet pattern, paired with a cream boucle cushion — a recent Aubury fabric choice from Osborne & Little

Osborne & Little

London, Great Britain

Family-run since 1968, Osborne & Little's fabrics and wallpapers sit at the heart of refined British interiors. We turn to them when pattern needs to feel timeless rather than trend led.

Visit Osborne & Little →
A geometric patterned cushion detail, reflecting the contemporary pattern work Harlequin brings into a scheme

Harlequin

Great Britain

Part of the Sanderson Design Group. Contemporary patterns with a strong sense of colour, often layered into projects where a room asks for something fresh.

Visit Harlequin →
A patterned pelmet and curtain drape in black, beige and cream basket-weave, by a window — Clarke & Clarke pattern work in drapery

Clarke & Clarke

Cheshire, Great Britain

British fabric and wallpaper house whose collections move easily between traditional and contemporary. A reliable source for curtains, blinds, and upholstery that need to feel considered without being austere.

Visit Clarke & Clarke →
A cream textured upholstered armchair with a soft leopard-print accent cushion, in considered Casamance French fabric

Casamance

Paris, France

French editor of fabrics and wallpapers, respected for the refinement of its weaves and the depth of its palettes. We use Casamance when a room wants quiet sophistication rather than statement.

Visit Casamance →
A stack of textured boucle and tweed cushions in cream and grey on a softly upholstered bed — the layered upholstery JAB Anstoetz is known for

JAB Anstoetz

Bielefeld, Germany

German fabric house with a deep archive of weaves, embroideries, and performance textiles. Particularly useful for high-wear upholstery and projects that need fabrics to hold up to a full family life.

Visit JAB Anstoetz →
A cream linen cushion with a subtle ikat motif beside a dark brown pleated velvet bolster, in the soft Zinc Textile palette

Zinc Textile

Great Britain

British fabric house whose collections draw on international fibres and a distinctive sense of colour. A favourite for softer moments in a scheme, often where a velvet or a boucle is called for.

Visit Zinc Textile →
A black cushion with a white embroidered geometric motif on a black boucle sofa — a hand-loomed weave moment from Wemyss

Wemyss

Great Britain

A smaller, family-run house with a quietly confident collection. Often chosen for rooms that need something unusual, a hand-loomed weave or a subtle weight of cloth, without the obvious branding of the bigger names.

Visit Wemyss →
A tropical palm-print upholstered chair on dark parquet over a cream rug, the kind of confident pattern Romo bring to a scheme

Romo

Nottinghamshire, Great Britain

Family-run British fabric and wallpaper house. Strong across prints, weaves, and plains with a particular feel for colour. Useful when a scheme needs depth across a whole palette rather than a single statement pattern.

Visit Romo →
A close detail of a distressed black leather-look cushion, the upholstery weight Warwick is known for

Warwick

Great Britain

British fabric house with a strong upholstery focus, particularly velvets, linens, and the hard-wearing weaves that keep sofas and headboards looking considered for a long time.

Visit Warwick →
Marbled abstract cushions in cream, ochre and grey beside a dark woven cushion, against a caramel-toned headboard with a ribbed copper lamp — Designers Guild colour-and-pattern handwriting

Designers Guild

London, Great Britain

Tricia Guild's house, known for its confident use of colour and pattern across fabrics, wallpapers, and bed linen. Reached for occasionally when a scheme calls for a bolder moment of optimism.

Visit Designers Guild →
A coral pink and cream herringbone-pattern cushion on a rust leather chair, with blue stripe blinds behind — Christopher Farr Cloth's hand-printed artisan fabric in an Aubury room

Christopher Farr Cloth

London, Great Britain

Christopher Farr Cloth bring a painterly hand to fabric. Hand-printed and hand-woven, often in collaboration with contemporary artists, the collections carry a sense of art rather than wallcovering. We reach for them when a scheme wants something one of one rather than off the shelf.

Visit Christopher Farr Cloth →
A close fold of cream linen with subtle taupe stripe — utility ticking from Ian Mankin in an Aubury scheme

Ian Mankin

London, Great Britain

British weavers since 1983, Ian Mankin's stripes and tickings carry the heritage weight that keeps a room from drifting too soft. Hard-wearing cottons and linens designed in Chelsea, woven at their family-owned Lancashire mill. Used in projects where the brief calls for honest cloth, not statement pattern.

Visit Ian Mankin →
A round dark stone-topped table on a carved wooden base, sitting on a cream and oat textured natural-fibre carpet — Cavalier Carpets in a finished Aubury room

Cavalier Carpets

Lancashire, Great Britain

Cavalier Carpets supply the textile underfoot that grounds a scheme. Honest natural-fibre weaves, wool blends and considered textures, made in Britain. The piece that finishes a room from the floor up.

Visit Cavalier Carpets →
A pair of cushions — one with an ornate pink damask pattern, the other a striped pink and cream ticking — close detail on a cream sofa, in the Andrew Martin signature

Andrew Martin

London, Great Britain

Andrew Martin bring the unexpected layer to a scheme. Eclectic British luxury across fabric, furniture, lighting and accessories, with a confident hand for pattern and colour. Reached for when a project wants the piece that makes a room feel collected over time.

Visit Andrew Martin →
Category Two

Furniture, Lighting & Atmosphere

The makers of the statement pieces, the quiet backdrops, the lighting that holds a room together, and the candles that close every finished scheme.

A statement Eichholtz chandelier with sculptural glass feathers in brass, hung in front of a classical Italianate landscape mural — sculptural lighting that anchors a room

Eichholtz

Noordwijk, Netherlands

Dutch house specialising in lighting, accessories, and accent furniture. A frequent source for the sculptural moments in a scheme, chandeliers, console tables, occasional pieces that set the tone of a room.

Visit Eichholtz →
An Armani Casa black lacquered desk with brass-and-glass wall sconces, an arched marbled-glass floor lamp and calla lilies in a dark vase, set in a cream leather panelled dressing room — Italian modernism in considered restraint

Armani Casa

Milan, Italy

The home line of Giorgio Armani, characterised by restraint, a considered palette, and a confident Italian modernism. We source from Armani Casa when a project asks for understatement that still feels significant.

Visit Armani Casa →
A large floor-standing mirror reflecting a softly lit bedroom, with bronze ceramic vases and white orchids on a glass console — Libra accent and atmosphere pieces in a finished scheme

Libra

Leicestershire, Great Britain

British lifestyle brand with a steady hand across furniture, lighting, and decorative accessories. Useful for the supporting cast of a scheme, pieces that layer in without asking to be the focal point.

Visit Libra →
Sculptural curved-back armchairs in cream velvet on black timber frames, set around an oval cream marble dining table on dark herringbone parquet — Liang and Eimil dining furniture from a recent Aubury project

Liang & Eimil

Great Britain

London-based furniture and lighting brand with a confident contemporary hand. Chosen for the sculptural moments in a scheme, dining chairs, occasional tables, statement pendants that anchor a room without shouting.

Visit Liang & Eimil →
Two hand-blown Baobab Collection candles in leopard-print glass, sat on a round table in the Corbridge snug beside a black ceramic vase

Baobab Collection

Brussels, Belgium

Belgian maker of hand-blown glass candles, often large-format and deeply scented. Baobab candles close out almost every project we finish, the last detail that turns a completed scheme into somewhere lived in.

Visit Baobab →
A statement chandelier with frosted glass tiles and a brass armature, hung from an ornate ceiling rose — R V Astley sculptural lighting in an Aubury project

R V Astley

Hertfordshire, Great Britain

R V Astley is where we look for considered glamour in a scheme — mirrors, lighting, decorative accents that lift a hallway or a dressing room without tipping the room into showy. A British house with a good eye for proportion.

Visit R V Astley →
The Wider Network

Beyond the fabric houses, the full Aubury network includes joiners, decorators, lighting specialists, bespoke furniture makers, and metal workers we have worked with over many years.

Most of these relationships have been built and kept by Cheryl over twenty five years in the trade. They are the quiet engine of every Aubury project, shaping rooms long before a fabric is chosen.

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